I remember watching Lethal Weapon back in the day and thinking how much of a badass Sgt. Martin Riggs was: A loose-cannon cop on the edge that, while always over the top, never stopped being intriguing. From his fantastic chemistry with the straight-laced Murtaugh to the man's unbelievable death-wish, there was no denying the impact that Martin Riggs had on police cinema as a whole. Flash-forward to 1998 and I'm sitting through a screening of Lethal Weapon 4; Riggs is still his own worst enemy, Murtaugh is still as straight-laced as ever (if not more so) and, well, I'm bored. While Lethal Weapon 4 was decent entertainment, there was no denying that it faltered when compared to not only the original three, but also the newer bad-boy cops in town from John McClane to Bud White. Now I know this is quite a digression from the subject at hand, but it's one of the best ways I can describe Hudson Entertainment's Miami Law: just like Lethal Weapon 4, it's tired, occasionally trite, and probably nothing you haven't seen before -- but all in all it's decent enough entertainment.